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First of all, try to work only with internal modulation sources ( Env, LFO, Math Opertions etc ).It´s confable to work with all else nice and easy Visual hyperdraw in Logic, Cubase and XXX on fat 30`inch FFT cinema displays/monitors.
...but they work only with a 128 Steps value. For great EMU-Filter Sweep this is like a Rolls Royce on bicycle´s wheels.
But let us have a look at the Modulation Matrix in the Emu, because the Maschine named "Emulator" . This name really makes sense.
24 Modulation Chords
Modulation Source:78
Destination: 69
Really interesting is that all 24 modulation Chords Amounts can be used as Destination. And there is one of the keys in Programming Presets/Sound.
So if you begin to Edit a Sound , better think only in 12 Chords , because they can Modulate by themselves.
If you have a MidiHardware Controller you , can build up to 24 Fader and Knops and can work with it like an old Hardware Synt. You can use it for Editing.
ok...here the one SingleNote Modwheel Show ( LFO1= Rate :1.3 Shape :pat:Octave and LFO2 Shine / 0.21 )
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...can be sounds like this
Try to study what there are really happens in the Modulation Chord Setup and your Experiment Brain wakes up of what can be done.
Puls-Modulation?. Yes, there is one, like in the old Analog Synths. It´s called here Sample-Loop. You find this Destnation in Cord Page named SLoop. you have up to 13-30ms. Refer my Metasynth Page to get all of out there.
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